American artist Stephen Gleadow infuses ordinary objects with star-chart-like mysterious energy through material experimentation.
French artist /guibog explores circuit and data bending technologies, with his exhibited works organically presenting the interconnection between data and biology.
German artist Tobias Zaft depicts national and familial narratives through precise drawings, and creates dazzling interlaced light and colour in closed-loop neon tube paintings, juxtaposing reality and illusion, motion and stillness in cycles.
Vietnamese-British artist Kimvi inserts her own body into real spaces, becoming the very medium of artistic language to express concepts.
Russian artist Anna Kazmina weaves cross-cultural visual streams of consciousness in embroidered tapestries.
Syrian video artist Amer Albarzawi presents a film about his friend’s integration into a new city, exploring the meaning of life and revealing human resilience.
Graeme Pool, an artist from Seychelles, Africa, studied painting at the Central Academy of Fine Arts; his self-portraits are simple yet intense.
Russian brothers Yuri Ushakov and Ivan Ushakov frankly present metaphorical perceptions of the "self" through images of self and other, self-perception and other perception.
Brazilian artist Gabriel Moraes Aquino created his exhibited works during a residency at the China Academy of Art, regarding art as an expression of his ongoing connection with the site; Italian artist Rebor invites viewers to slow down amid "pareidolia" and generate unique viewing experiences.
Italian artist Marco Abrate invites viewers to slow down amid "pareidolia" and generate unique viewing experiences.
German young painter Marc poetically combines blurred interlaced solid colours with mottled narrative sensations.
Korean sculptor Kim Youngje extracts lines from the space of figurative forms, connecting the structures of objects and contexts to reconstruct three-dimensional cognitive boundaries.
Chinese contemporary artist Wu Xiaohai constructs order with powerful pure black-and-white compositions, exploring the core narrative of modernist thought and the relationship with nature.
Feng Jie revisits "landscape", a classic theme of literati painting, using silk as a medium to study water states, presenting visions of distinctive Eastern aesthetics.
Ding Yu and Zhang Xing collaborate across disciplines, with their new media works placing physical paintings in synchronised parallel spaces, creating enduring arrays that transcend the individual toward eternity.
Liu Rui reconstructs combinations of readymade and created objects through materials, imbuing sculptural forms with contemporary exploratory value.
Wang Lei has spent a decade documenting people and landscapes along the "Silk Road" with his brush; his exhibited Portrait Series is a direct vital expression of this peripatetic painting journey.
Ouyang Qiu uses solid colour blocks in a "disenchanting" way to depict "amusement parks", stripping physical spaces of symbolic meanings.
Xiao Jin tenderly depicts overlooked urban corners and objects with delicate techniques, exploring the relationship between objecthood and boundaries.
Han Yi’s sculptures embody the Chinese traditional concept of respecting materials and shaping according to their nature, as seen in the Huo Qubing Mausoleum stone carvings of the Han Dynasty, using minimal carving to evoke maximum imagination.
Dong Zhuo’s mineral pigment paintings harness the permanence and vicissitudes of natural minerals to translate the visual shock of time into artistic expression.
Zhang Xiaoxue employs unique female sensibilities and materials rooted in Eastern cultural traditions-such as rice paper and water pigments-to achieve a contemporary visual translation of traditional media through layering, dyeing and infiltration.
Lin Ran interprets the utopian spirit through the Eastern ideal of "Peach Blossom Spring", and expresses the traditional Chinese macrocosmic vision using crystalline structures from the modern scientific microcosm.
Li Xue crosses illustration and mineral pigment painting, integrating the texture of mineral particles with the playfulness of illustration.
Shuare Shizhu, an artist of the Yi ethnic group, uses raw, powerful brushstrokes to create the majestic momentum of living in harmony with nature in the mountains and wilderness.
Zhang Zhihai was born in Fuzhou and studied in Russia. He focuses on social livelihoods. His Teahouse series reflects on the transformation and transition between traditional spaces, lifestyles, and modern civilisation.
Liu Chongyan, a video artist based in France, centers on personal emotional narratives, revealing broader themes from the individual and prompting self-reflection.
Ding Chenlong is sensitive to the tactile qualities of painting materials and explores diverse possibilities.
Lin Yuan (Taiwan, China) embraces craftsmanship across materials, expressing distinctive warmth and social concern through practical and material-centric expressions.
Xing Chengming’s experience studying in the UK led him to reflect on the complex entanglement between physical body and cultural identity, deconstructing and restructuring images with romantic and magnificent colours.
Li Jiayu draws inspiration from dreams, using natural materials such as silk and linen, and adopts the layered transparency and shadow effects of Chinese shadow puppetry as a visual language to manifest the philosophy of reality and illusion.
British artist Kath Abiker reconstructs visual narratives through unconventional juxtaposed perspectives.
Yang Cheng focuses on the clear "consciousness" and vague "subconsciousness", shifting seamlessly between restrained austerity and unrestrained passion, both deeply stirring.
Korean painter Lee Eojin centers on the idea of "indeterminate narrative", striving to realise a dialogue between Eastern artistic conception and Western contemporary aesthetics within an open pictorial structure.
